Are British crime dramas relying too heavily on grim northern landscapes as a storytelling shortcut?
From Happy Valley to Sherwood, bleak moors and rain-soaked terraces have become shorthand for serious drama. Some argue it adds authenticity; others say it's become a tired visual cliché.
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What would you rather?
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Which British political slogan, used by the Conservative Party in the 1959 general election, promised continued prosperity under Harold Macmillan?
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