Rank the most iconic British music biopics — which one actually did the legend justice?

Rami Malek scooped the Oscar and Live Aid got the recreation it deserved, but purists still moan about the timeline being mangled beyond recognition.

Taron Egerton sang it himself and Dexter Fletcher leaned into the glitter and the misery in equal measure. Possibly the only honest one in the bunch.

Anton Corbijn's black-and-white portrait of the Macclesfield miserablist is bleak, beautiful and refuses to romanticise a single second.

Gary Oldman as Sid Vicious snarling through the Chelsea Hotel — Alex Cox's film is grimy, tragic and properly punk in spirit if not in fact.

Aaron Taylor-Johnson plays a teenage Lennon caught between his aunt and his absent mum, years before the Beatles became Beatles.