Which British sculpture or public artwork stirs the strongest feeling in you?

Towering over the A1 with its 54-metre wingspan, Gormley's rusted steel guardian has become a defining symbol of the North East since 1998.

One hundred cast-iron figures stare out to sea along three kilometres of Merseyside shoreline, half-submerged with the shifting tide.

The colossal bronze spider that first prowled the Turbine Hall remains a haunting meditation on motherhood and memory.

Two thirty-metre horse heads in gleaming steel pay tribute to Scotland's industrial and equine heritage on the Forth and Clyde Canal.

The rotating contemporary works on Nelson's neighbouring plinth keep provoking debate about what public art should be in modern Britain.