British composers have long shaped how we feel about cinema, from sweeping orchestral epics to haunting minimalist pieces. Rank these iconic scores by which one moves you most.
Put the items in your preferred order.
Chariots of Fire — Vangelis
Though Vangelis was Greek, this 1981 score became inseparable from British cinema and the Olympic spirit. Its opening bars alone can send anyone into slow-motion running mode.

Lawrence of Arabia — Maurice Jarre
Jarre's sweeping theme became the gold standard for epic filmmaking. It captures both the majesty and the melancholy of David Lean's masterpiece.

Skyfall — Thomas Newman
Newman's score blends orchestral tension with electronic textures, giving Sam Mendes' Bond film its haunting emotional weight. Adele's title track is the cherry on top.

The Theory of Everything — Jóhann Jóhannsson
Jóhannsson's delicate piano and strings gave Stephen Hawking's story its emotional heartbeat. Understated yet devastating in equal measure.

Trainspotting — Various Artists
Less a traditional score and more a curated cultural moment, featuring Underworld, Iggy Pop and Pulp. It captured mid-nineties Britain better than any orchestra could.
Drag the photo to reorder
Should England footballers be forced to play for their birth country, not the one that pays best?
⚽ Sport · 24 votes
Was the 1948 nationalisation of the Bank of England the moment Britain truly took back economic control?
📜 History · 24 votes
Should British football clubs be forced to freeze season ticket prices for over-65s and under-18s?
⚽ Sport · 24 votes
Which British composer wrote the theme music for the original 1963 series of 'Doctor Who'?
🗳 26 votes