British composers have long shaped how we feel about cinema, from sweeping orchestral epics to haunting minimalist pieces. Rank these iconic scores by which one moves you most.
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Chariots of Fire — Vangelis
Though Vangelis was Greek, this 1981 score became inseparable from British cinema and the Olympic spirit. Its opening bars alone can send anyone into slow-motion running mode.

Lawrence of Arabia — Maurice Jarre
Jarre's sweeping theme became the gold standard for epic filmmaking. It captures both the majesty and the melancholy of David Lean's masterpiece.

Skyfall — Thomas Newman
Newman's score blends orchestral tension with electronic textures, giving Sam Mendes' Bond film its haunting emotional weight. Adele's title track is the cherry on top.

The Theory of Everything — Jóhann Jóhannsson
Jóhannsson's delicate piano and strings gave Stephen Hawking's story its emotional heartbeat. Understated yet devastating in equal measure.

Trainspotting — Various Artists
Less a traditional score and more a curated cultural moment, featuring Underworld, Iggy Pop and Pulp. It captured mid-nineties Britain better than any orchestra could.
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Be honest: have you ever looked up how a series ends before you got there?
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